Review: Umphrey’s McGee – Red Rocks and Blue II / Boulder Theater

The Chicago-based sextet ended their first two set Red Rocks show with the uplifting Hajimemashite, a rare cover of Release by Pearl Jam and the final section of Bridgeless. It felt as if the band did more than just play “another show,” but created a personal experience at Red Rocks for those in attendance. Also, from the looks upon their faces, the multiple “thank you’s” and the occasional dancing around the stage, it was apparent the band members had just as much fun at Red Rocks as the fans.

Set One
Jazz Odyssey > Bridgeless > Professor Wormbog, Puppet Strings, Hurt Bird Bath, Deeper > Plunger > No Comment > Plunger

Set Two
Nipple Trix > Divisions, Forks, Sledgehammer^, Red Tape > “Jimmy Stewart” > Red Tape, Day Nurse, Hajimemashite
Encore
Release > Bridgeless
Notes
The New Mastersounds and Easy Star All-Stars opened
^ with Curtis Fowlkes and Jennifer Hill (Easy Star All-Stars) on horns
[via Umphreys.com]

Though Red Rocks is an amazing venue and Umphrey’s McGee did an excellent job headlining, it was quite apparent after their show at the Boulder Theater on Monday that the group were much more comfortable and loose at a smaller venue. From the moment they walked out to the tune of America, Fuck Yeah! from the movie Team America, it was obvious the boys were ready to have a silly time.

Umphrey’s continued to mix older jams and newer progressive rock songs in Boulder. Set one had a very rock feel as they played Der Bluten Kat, Susanah (with Brendan on acoustic) and closed the set with the Pink Floyd cover Comfortably Numb that found David Murphy of STS9 replacing Ryan Stasik on bass.

In contrast, set two had a more funk/dance feel and featured multiple sit-ins. Standing out as a sure highlight was a jazz/funk jam within Ringo propelled by Dominic Lalli from Big Gigantic on saxophone. It was hard not to be amazed by the group’s ability to freestyle jam while letting their guest “do his thing.” A delicious battle between Brendan and Jake (on guitar) and Dominic (on saxophone) was the payoff and a special moment indeed.

The final set of Umphrey’s Colorado run continued a nod towards Independence Day in the form of an Amazing Grace bass solo performed by Stasik, which led into the instant dance party maker, Wappy Sprayberry, and the fitting Glory. After two long sets, the group ended the show on a more humorous note as they performed Pay The Snucka as the first tune of a three-song encore that also included a cover of Paul McCartney and Wings’ Live and Let Die and the second half of Miss Tinkle’s Overture.

Set One
Miss Tinkle’s Overture > Booth Love, Der Bluten Kat*, Susanah@, The Fussy Dutchman, Room to Breathe, Comfortably Numb^
Set Two
The Triple Wide^^, Cemetary Walk, Ringo$, Amazing Grace$$, Wappy Sprayberry > Glory, In the Kitchen
Encore
Pay the Snucka, Live and Let Die, Miss Tinkle’s Overture
Notes
* with Free Fallin’ jam
@ with Brendan on acoustic
^ with Dave Murphy (STS9) replacing Ryan on bass
^^ with Michael Travis (String Cheese Incident) sitting in on percussion
$ with Dominic Lalli (Big Gigantic) sitting in on saxophone
$$ just Ryan on bass

[via Umphreys.com]

All and all, the two shows demonstrated once again that Umphrey’s McGee is comprised of exceptionally talented musicians that strive to please their fans and Jefferson Waful’s arguably best-in-the-business, intricate light show that complements their music so well. While Umphrey’s McGee may not always be the goofy jam band many fell in love with, they have grown into professional musicians with a more mature sound that’s still bound to melt faces from time to time.

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