Guster

The past three releases from the energetic Boston based pop folk trio Guster have remained true to their focus on meticulous two part harmonies and songwriting brimming on the sac-religious; as it’s impossible to attend a live show without hearing group sing-alongs and faces bordering on euphoria.

Guster fans may stand confused upon the opening notes of "Keep It Together," as the first track "Diane" features – yes, a drum kit. Where are the resounding pop harmonies and upbeat acoustic guitar chords that are so clearly dominant? They are there, but you have to serach for them. Previously un- Guster instruments like drum kits, bass guitars, oboes, clarinets, banjos, and vintage keyboards along with sonic infusions all poke their way into Keep It Together.

The trio has clearly exemplified how they have poured their diverse musical influences into the majority of the this fresh mix. "Careful" and "Amsterdam" gallop in the soothing yet energetic two part harmony jubilation that Ryan Miller and Adam Gardner have built their musical careers upon, along with Brian Rosenworcel’s inventive drum lines. The brave "Come Downstais and Say Hello" might be their most ambitious track yet, beginning with high harmony "Pet Sounds" orchestral vocals that transit into a pool of 80’s new wave. Although a number of the experiments fall short, like "Homecoming King which echoes like an opening television show song for the adolescent WB network and the country twang of "Jesus on the Radio" fails to evoke any exciting karma.

Keep it Together is an album that requires dedicating a handful of spins to fully comprehend and appreciate, which is a far cry from Guster’s comfortable on the spot pop friendliness. In the end, this philosophy works for the better, as we discover an ambitious effort for three musicians clearly striving to expand beyond their elemental building blocks.

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