CD Review

Tool’s signature elements, such as epic songwriting and grungy metal chops, return revamped in their new release, 10,000 Days, replete with the dark and borderline-creepy cover art one might expect from the band. As per usual, they involve latent, sophisticated references in their songs, including the genie from Pee-Wee’s Playhouse, “Jambi,” and 10,000 itself, which refers to the time period from the point at which Maynard James Keenan's mother (for whom he names track “Wings for Marie (Part 1)”) became paralyzed due to a stroke until the point she died. “The Pot” fuses together cynical lyrics and Maynard’s passionate vocal delivery with the hard edge of bassist Justin Chancellor. It's easily deemed commentary on irresponsible stoners, especially compounded with the imagery of “Rosetta Stoned,” but in a recent interview, guitarist Adam Jones acknowledged that the title refers to “the pot calling the kettle black.” Regardless, the album still seems to make several references to herbal substances.

The segue tracks between songs give an other-worldly, other-century feel until Maynard’s clear, stable voice brings us back to present-day. Combining everyday noises (rain, hospital noise, conversation and wind) with eerie synth effects, the resulting sounds provide an intriguing flow of energy that has its own momentum. Drummer Danny Carey is hard-hitting when needed and chaotic when necessary; he even gives a soft touch with the bongo-like beats, perhaps from his Vince De Franco electronic drum pad, in “Right in Two.” Overall, their continued uniqueness makes this disc another instant Tool classic taken a step further.

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