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CD Review

Shearwater

Palo Santo

By Jamie Lee



 
1 Comments
Vocal dramatics are the essence of Shearwater's forurth album, Palo Santo, with vocalist and multi-instrumentalist Jonathan Meiburg consistently exposing a forever-fluctuating line between kitten purr and banshee wail. Over subtle, shifting instrumentation, Meiburg is given a runway for flight, floating across dissonent, cresting guitars on "White Waves," or dancing above staccato-plagued keys on "Red Sea, Black Sea."

But the emotion that drives much of Palo Santo is constricting, driving the sombre folk of the title track into a padded-walled room and drawing a  tear from weepy eyed-guitar on "Nobody." Shearwater is still an impressive force on the indie rock scene; one with open arms welcoming listener interaction, whether in the form of a friendly hug or just a good cry.

For more info see: http://www.shearwatermusic.com/





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Posted by LES_NYC on 11/03/2006 at 10:06 AM ET
I really wanted to like this going into it, but agree...it doesn't hold up as well as I thought it would. more blog rock that fades away...

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