Terrence Malick’s latest hits home release, but is it worth your time?
Ben Wheatley’s shoot-em-up is out now on Blu-ray.
[rating=9.00] Ten years ago, night fell over Kortadela. On his vividly colored, sample-heavy 2007 breakthrough LP, Swedish songwriter Jens Lekman juxtaposes vibrant pop with dryly funny quotidian narratives. Lekman is
[rating=6.00] There’s an ongoing debate about the state of the Avett Brothers’ music that begins with 2009’s Rick Rubin-produced I and Love and You. The Avett Brothers, a North Carolina-based
[rating=8.00] Sunbather, the 2013 album by the then Bay Area (now Los Angeles) “metalgaze” outfit Deafheaven, was, and arguably still is, dangerously close to merchandising itself into self-parody. The record’s
[rating=8.00] Regardless of what one’s opinion of Between the Buried and Me’s 2012 concept LP The Parallax II: Future Sequence is, it’s hard to deny one thing: it’s certainly the
[rating=3.00] If nothing else, the California rock outfit the Mowgli’s will always have “San Francisco”. That tune, a jubilant ode to “being in love with love”, is no doubt guilty
[rating=3.00] No Pier Pressure answers a lot of questions, many if not most of which the world probably didn’t need to ask in the first place. These include: “What if
On their fourth LP, Punch Brothers continue to push themselves compositionally, balancing the cerebral and emotional aspects of their music.
[rating=7.00] Ten years have passed since the Toronto bass and drums duo Death from Above 1979 released its debut LP, the high-octane You’re a Woman, I’m a Machine. For a