It can be argued that perhaps no other band has done a better job of making the best out of the COVID-based restrictions on live music that have seemingly become
Watching Once Were Brothers: Robbie Robertson and The Band is a refresher course in perspective. The Ron Howard co-production is both entertaining and provocative for most of its duration, but,
The opening sequence for Do U Want It? is a ready-made thesis: percussion and ambient swells set to a panoramic city skyline on the opposing shore of the Mississippi River.
[rating=6.00] As part of the pantheon of quintessential American cinema, the mob movie is not only constantly revisited, but reinvented. Such is the case with Mob Town, a reframing of
Neil Young has long been fascinated with the art of film-making, so it only stands to reason he would want to create a cinematic companion piece to an album he
Linda Ronstadt: The Sound of My Voice may be the most well-wrought bio-pic/documentary of a contemporary musical figure in recent memory. Rob Epstein and Jeffrey Friedman’s film moves at a
Wheels don’t need to be reinvented to be appreciated. If nothing else, Haunt proves that.
[rating=7.00] It’s a national conversation that has been repeated so often that it borders on parody. The self-aggrandizing Baby Boomers who scowl and rasp at the entitled and ungrateful Millennials,
[rating=7.00] Oftentimes, the term B-movie, or its counterpart term, grindhouse, can vary between overly wrought horror or aggressively retrofitted to harken back to the days of worn-out film stock and
In lieu of a new archive release for early 2019, the Experience Hendrix team hearkens to a previous exhumation from the vault for selected nationwide theatrical showings of Electric Church,