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Entries written in November 2006

An Interview With Langerado’s Ethan Schwartz

Written by Scott Bernstein on 11.30.2006 | Festivals, Interviews, Langerado

Tickets go on sale tomorrow for the unofficial kick-off to festival season, the 5th Annual Langerado Festival. We’re counting the days ’til March…

Recently I spoke with one of the festival’s founders and promoters, Ethan Schwartz, about all things Langerado. He filled us in on the origin of the festival, the difference between Langerado and other festivals where police presence has been increased, bands he’d love to see play in the future and so much more…

The B List: Side Projects

I was hoping I’d wake up and it would be Friday. Since that didn’t happen, why not spend this lovely Thursday discussing the best ever rock side projects. It’s not easy to come up with a perfect definition for side projects, but since this is a dictatorship, we will say that the band must have started while one of the band members was performing regularly with a larger act.

1. The Traveling Wilburys: One of the few supergroups that has actually produced material that was not only good when it was released but has grown on me even more over the years. If rock n’ roll were like professional wrestling, Petty, Orbison, Lynne, Harrison, and Dylan would be the Five Horseman and could kick any other teams ass. Plus, you gotta love that they skipped right over Traveling Wilbury’s Volume 2, releasing Volume 3 two years after the first record.

Please read on for the rest of The B List…and let’s hear your thoughts at the end.

Stop Stealing Food from STS9’s Children

Written by Scott Bernstein on 11.30.2006 | STS9

Sound Tribe Sector 9 keyboard player David “Lars Ulrich” Phipps has started using his laptop for things other than music. Phipps recently used his band’s message board, The Lowdown (snicker), to rant against the torrent site Oink.

Your best bet’s to take a moment and read Phipps’ complete open letter from The Lowdown site, but here’s the pertinent information of his rant:

So, until I get back to Amsterdam to seek this guy out and kick him in the nuts myslef, I can only turn to YOU, my FAMILY, to help put a stop to this. Please understand, you’re not stealing from a corporation. There is only the five of us. We make a living doing this, and only this. When you steal my music, YOU ARE STEALING FOOD FROM MY DAUGHTER’S PLATE. It really is that simple. When the new album hits next year, PLEASE, do me a favor, do the right thing. And encourage others to do so too. Torrenting: Its quick, its easy, its free…and its STEALING from your friend. Unlike the points on this message board, karma is real, and consider sts9 via oink to be triple-hexed.

Yes, folks, Phipps actually used the sentence “YOU ARE STEALING FOOD FROM MY DAUGHTER’S PLATE.” In caps! Let’s not forget, The Lowdown is a community of Sound Tribe Sector 9’s most die-hard fans. While I certainly understand the point Phipps is making, and his argument has some merit, perhaps it’s not best to bite the hand that feeds you, or in this case, the hand that feeds your daughter. Even the general news media has taken up the case of feeding Phipps’ child:

THE INTERWEB, Amsterdam (CNN) — Illegal downloads took 10 elbow pastas off the plate of a young girl, jamtronica band “STS9″ said Wednesday.

Four pop-tarts were stolen directly from the mouth of bandmember ‘Phipps’ daughter in an afternoon download somewhere outside of Omaha on Tuesday about 6:50 a.m.

Less than three hours later, another bandmember’s son had his Reese’s Peeses Cups removed directly from his brown bagged lunch.

A large cantaloupe was stolen from Phipps at about 1:10 p.m. when music was illegally downloaded, also just outside of Omaha.

In Mechanicsville VA, northeast of Richmond VA, three dready teens with hemp-crystal necklaces were killed as the “result of nuts kicking” during Phipps’ retaliation, officials said.

As of Wednesday, 67 vegetables and almost a dozen breakfast foods have been stolen from STS9 in October, and the total for the year so far stands at 602 items of food stolen directly from plates. Since the start of Oink, STS9 has lost 2,775 pounds of food. Several Armani sports jackets have been lost in the campaign as well.

We’re all for artists getting paid, but we’re also for bands succeeding on the road so they don’t need to deal with this bullshit. Jon Fishman had a good take on it in 2002: “Ultimately in the end what the Internet means for musicians is that people can survive who can actually play their instruments and write good songs and don’t need tons and tons of bullshit behind it.” Well said, wook.

There are good ways to make a point and bad ways. Bringing the feeding habits of your daughter into the situation reeks of Latrell Sprewell, and we hope Phipps and the rest of STS9 treats their fanbase with a little less resentment in the future.

(Many thanks to our friend Neeko for that hilarious parody above)

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The Biscuits Drop The Hammer

Written by HT Staff on 11.29.2006 | Disco Biscuits, Reviews

Rapid Fire Review Week continues with HT’s favorite Disco Biscuits Diehard Matt Quinn’s review of this weekend’s two Hammerstein shows:

It’s been a long year for The Disco Biscuits. With “new” drummer Allen Aucoin at the kit, virtually every fan of the band agrees that they are playing with the kind of vigor and creativity that’s been absent since the end of 2002.

Sure there were the brief flashes of greatness in the ‘03-’05 era. But for the most part it was directionless and unfocused, a band very unsure of where it was going, a band running out the clock on its first incarnation. After an adequete NYE run, a short spring tour and a summer spent on the festival circuit, the Biscuits’ fall tour has seen them firing on all cylinders in venues across the country, and the shows at the Hammerstein Ballroom on 11/24 & 11/25 were certainly no exception.

The first night opened with a section that featured exactly the type of setlist creativity Biscuits fans have been craving. The Overture is normally a tightly composed, classical style piece that features a trance jam in the center of it. In lieu of the trance this night, the Biscuits dropped into a 30-second composed segment of Little Lai, then a 30-second composed segment of Bazaar Escape, then a 30-second composed segment of House Dog Party Favor, then directly into an entire Bach Invention (#13 in A Minor, to be exact), then picked up the end of The Overture where the trance section would normally end.

The entire segment was obviously rehearsed, and rehearsed well. There was no jamming between the segments; they were played as though it were one giant composed piece. Apparently the setlist had this labeled as “The OverBerzerk,” but I’ve taken to caling it “The Berzerkerture.” I just think it rolls off the tongue better. Whatever you want to call it, it was well-planned and flawlessly executed.

Read on for the rest of Quinn’s stellar review and download his recordings from both the 11/24 and 11/25 Hammerstein shows…

Borat’s Musical Playlist

Written by Ace Cowboy on 11.29.2006 | Glide

We’re more than 90 posts into this blog’s mediocre existence, and not once have we cross-promoted anything from our Glide Magazine parent. I was hoping to make it to 100 posts without doing so, but like Julio César Chávez in his quest for 100 straight victories to start his career, this is my defeat.

It’s not that I’m even promoting Glide, it’s just that today’s feature on Borat’s Holiday Playlist is way too a-niiiice not to share with all of youse. Here’s a sample:

5. It’s a Kind of Magic - Queen
I like very much the lead singer - ladies man Frederick Mercury. It great shame that he die in that car crash. Many peoples say I looks like him, infacts, last month I come 7th in Almaty’s annual ‘who look most like Freddy Mercury’ competition. This out of over 843,000 entrant!

8. Candle in the Wind - Elton John
I very much like this song about crushed princess of Wales written by bald homosexual Elton John.

Check out the rest of Borat’s Holiday Playlist here for more hilarious gems…

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Grousing The Aisles VI: Jerry Garcia

That graphic always makes me smile. I’m still waiting for someone to get the reference of the title of this department — come on people, dig deep. Anyway, since last week’s column featured no Grateful Dead or Dead-related projects at all, this edition of GTA is fully dedicated to Jerry Bear, the Godfather of Wook. Let’s get over that Wednesday hump together with some help from Jerome.

In 1987, Jerry hit Broadway for a series of 18 shows at the Lunt-Fontanne Theatre. Can you imagine the smell in that theater at the end of that run? Just a bit of a different crowd than those seeing Beauty and The Beast, which has been playing at the Lunt-Fontanne for the past seven years.

Garcia’s estate recently released the Halloween show as part of its Pure Jerry series, but we’re gonna focus on the night of the 25th here. Jerry and the acoustic band plays an amazing first set, presented here in all its soundboard glory. For the second set, Mr. Jorts himself, Bob Weir, joined his uncle Jerry for the final four songs of the evening. The second set was clearly taped in the audience, yet the sound is surprisingly good and the performance, while not tight, is interesting. The highlight is the first and only JGB All Along The Watchtower. Other shows from the run newly featured on etree are 10/23 and 10/24

A Darker Shade of Greyboy

Written by Ace Cowboy on 11.29.2006 | Greyboy Allstars, News, The Roots

As if anyone in the New York/New Jersey/Connecticut tri-state area needed an additional incentive to see the quasi-reunited-and-it-quasi-feels-so-good Greyboy Allstars at the Nokia Theater two days before New Year’s Eve, the band has announced a special guest for the evening:

We are very pleased to announce the addition of our (everybodys) hero, drummer extraordinare ?uestlove of The Roots to our New York City show at the Nokia Theater on Dec. 29th. Quest will be providing the beats he is known for as DJ supreme to spice up the evening Philly style.

Join me in enunciating these two syllables loud and clear: Kick, ass. Unless ?uestlove is just opening the show with a DJ set, in which case that’d be coo de la, but not as coo de la as it should be. Either way, Greyboy just might be the best band you’ve never seen, and ?uestlove, well, he’s just a raging beast. So if you’re within 50 miles of this show you should make it your beeswax to be there or face the wrath of a fanboy fluff review that makes you feel small.

Greyboy

Three more solid pieces of GBA news: 1) The band’s playing two hometown shows in Southern California on 12/22 and 12/23; 2) Greyboy will join Soulive at the 9:30 Club in our nation’s capital on December 30th and 31st to usher in the New Year; 3) The band’s new disc, What Happened to TV?, comes out in March, and GBA will be touring at home and abroad to promote it. Score.

Related Audio: Thanks to the good folks at Nugs.net, you can stream or download the 5/1/04 one-off Greyboy Reunion show from the Saenger Theater in NOLA. I don’t want to exaggerate and lead you on here, but the song Jack Rabbit will totally change your life for the better. Thank me later.

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Thankful For Wilco

Written by HT Staff on 11.28.2006 | Reviews, Wilco

Rapid Fire Review Week continues with Hidden Track senior hipster correspondent Luke Sacks’ account of Wilco’s 11/24/06 show…

Wilco frontman Jeff Tweedy recently decked a fan that happened to be dumb enough to jump on stage, getting a little too close for comfort. That solitary action must have released years of hostility, because on Friday night at Chicago’s Auditorium Theater, Tweedy and his Wilco bretheren soaked up every ounce of fun in the room.

Wilco

Wilco’s sound these days is a bit like Bob Dylan and Radiohead thrown in a blender and pureed. The lyrics — still as poignant and moving as ever — are now cocooned in building electronics and whirling riffs that flow from the all-shapes-and-sizes guitars of Nels Cline. Where Tweedy’s raspy voice and “angry-musician” personality once dominated, Cline’s assault on his instrument and frenetic body language have moved closer to center stage for an increasing share the spotlight. Pulsating and gyrating with each chord, Cline shakes and twitches and produces a spectrum of sound that spirals every which way before coming to a screeching halt in time to let Tweedy’s voice be heard loud and clear.

Tweedy began the show with two slower songs: the new “Shake it Off” and the similar-sounding “Hell Is Chrome” from A Ghost is Born. Unlike most bands that like to start things off rocking and/or rolling, Tweedy is known for beginning shows with slower, more brooding selections that give the show a more intimate feel. It wasn’t until the third tune, “Handshake Drugs,” that the energy between the crowd and band synched up with each other…

Umphrey’s McGee Winter Tour 2007

Written by Scott Bernstein on 11.28.2006 | News, Tour Dates, Umphrey's McGee

Can you believe we’re actually talking about shows in the Year of Our Lord Two-Thousand Seven? This year has just flown the fuck by, right?

UM

Umphrey’s McGee this morning announced the beginning of their 2007 touring plans. Read on after the jump for the full list of dates…Bring your helmets, kids!

Have A Cow, Maaaan

Written by Scott Bernstein on 11.28.2006 | Grateful Dead, News

Rhino Records is finally starting to recoup some of the mucho dinero they laid out as part of a ten-year licensing deal with the Grateful Dead. Get your Christmas gift cards ready, folks — on January 23rd, Rhino will release Grateful Dead: Live At The Cow Palace as part of a three-disc set.

Luckily for the fans, Grateful Dead archivist David Lemieux is still on board. Read on to hear what he has to say about the 12/31/76 show and this release…