Entries written in December 2008

Mike Gordon: Cactus Comes Clean

Written by on 12.26.2008 | Cactus, Phish

The members of Phish have been very quiet about their upcoming reunion until today. Brent Hallenbeck of the Burlington Free Press scored an interview with bassist Mike Gordon and asked all the questions we’ve been dying to ask. Gordon gave candid answers on everything from this weekend’s Mike Gordon Band run to the rumored Steve Lillywhite project to Phish’s plans past Hampton to Red Light Management’s role in his career.

According to Cactus, Phish isn’t planning a Spring tour…

BFP: How about other Phish shows beyond Hampton?

MG: There’s definitely some talk about that. My feeling is we’ll probably do stuff in the summer, maybe not right after Hampton.

The bassist also discussed what Coran Capshaw’s Red Light Management brings to the table versus what John Paluska did for them as a manager…

BFP: How will you keep the Phish machine from getting too big again?

MG: There’s different ways. One is that we say we’re not going to let it become that, we’re not going to get involved in decisions we don’t need to and delegate more and not get wrapped up mentally on things as much. It’s a different era, too. The era of having John Paluska as our manager — he would plan out the festivals we did with no other bands, just keeping us on our own path. One thing on that is it required an infrastructure. We didn’t want to farm out the merchandise. We had people doing it in-house, designing the T-shirts and selling them. John was a great organizer and controller and wanted more to control. It required extra band meetings to work this infrastructure that was home-grown and in-house. Now it’s a different era in that sense. I still have a great relationship with John Paluska but a few of us are involved with Red Light Management (based in Charlottesville, Va.) and talking about that being the home for Phish and it’s just a whole different model. Now it’s like maybe we don’t have to have our own festival to make great music. We don’t have to do that and maybe we can be even more a part of the music industry than we were before rather than separate from it.

For me, as long as they make good music for a reasonable price I don’t care who’s managing them. If they want to delegate business decisions to concentrate on practicing, go for it. Be sure to read the whole article for more from Mike on his solo band and Phish. The level of speculation about Phish’s plans has been ridiculous lately. I think I’ve heard rumors about tour dates involving every month and city at this point. It’s nice to hear facts straight from the horse’s mouth. What do you think about Phish’s plans to embrace the rest of the music industry?

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Briefly: The Return of Gene Ween

Written by on 12.26.2008 | Ween

Gene Ween posted a brief note with some great news about his health…

Hi Everyone….I want to thank everyone for the well wishes, I’m recovering well from this pneumonia that I believe I’d been “walking around” with before it manifested itself fully a day after the last GWB show in Asbury Park. I spent four days in the hospital which, for those who know, is close to hell on earth but with good doctors, nurses and the care of my Jewish Mother for the last few days, I’ll be fine. This GWB experience was so fucking great and I do plan to make up the shows with more to come. Thanks for all the well wishes and I wish you all the best wish for the wishes at this special time of the year. Love, GW

Here’s hoping we get some Gene Ween Band and Ween gigs in ’09. [via BV]

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Televised Tune: On The Tube This Weekend

Written by on 12.26.2008 | Televised Tune

Sundance shows our pick for the Best Music DVD of 2007, Runnin’ Down A Dream, tonight at 10PM. The four-hour long Runnin’ Down A Dream tells the fascinating story of Tom Petty and the Heartbreakers from their humble beginnings in Gainesville, Florida until their triumphant homecoming concert in 2006 including tales of sex, drugs, death and rock and roll.

Friday [all times Eastern]:

  • Documentary: Runnin’ Down A Dream [Sundance 10PM]
  • The Tonight Show: Ingrid Michaelson [NBC 11:35PM]
  • Late Night w/ Conan: Issac Hayes [NBC 12:37AM]

Saturday:

  • Saturday Night Live: Queens of the Stone Age [E! 10PM]
  • Documentary: Neil Young – Heart of Gold [VH1 11PM]
  • US Festival 1983: The Clash [Encore 12:15AM]

Sunday:

  • Spectacle w/ Elvis Costello: James Taylor [Sundance 2PM]
  • Live In Barcelona: Bruce Springsteen [Palladia HD 2PM]
  • Kokua Festival 2008: Dave Matthews [Sundance 3:35PM]
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Pullin’ ‘Tubes: Happy Holidays From HT

My threshold for holiday music is pretty low, but there are a handful of Christmas songs that this Jew actually enjoys hearing around this time. While I was all set to share Darlene Love’s annual stunning performance of Christmas (Baby Please Come Home) from  The Late Show with David Letterman along with Jay Thomas’ hilarious retelling of the Lone Ranger story – I stumbled on something even better to share with the class today.

For me, it really isn’t the holiday season without hearing Bruce Springsteen and The E Street Band’s bar rock rendition of Santa Claus Is Coming To Town – a song that was written and recorded all the way back in 1934 and sold over 400,000 copies that year. This version comes from a show at the Capitol Theatre in Passaic, New Jersey on September 20, 1978 – enjoy…

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More Christmas Songs:

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Pullin’ ‘Tubes: Playin’ Reprise Pt. IV

Written by on 12.25.2008 | Grateful Dead, Pullin' Tubes

Our second quasi-annual Grateful Dead week rolls on with a look at the most exciting moment of Spring Tour 1990. On March 29 in Uniondale, the Dead were joined by sax star Branford Marsalis for one of the most memorable guest appearances in the band’s history. Marsalis brought out the best in the Dead each time he sat in with them, but his first guest spot was the best.

Branford came out towards the end of the first set for a smokin’ version of Bird Song and by the way he blended into the mix, you would’ve never guessed he wasn’t a full-time member of the band. When the Dead returned for the second set the energy was out of this world. Jerry kicked off what would turn out to be the best version of Eyes of the World since the ’70s. Jerry, Phil and Branford pushed the music to orgazmic heights. The video of the Nassau Eyes that circulates isn’t the best, but it’s well worth the stream as you can see the happiness on each band member’s face…

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Bloggy Goodness: Xmas Day Link Dump

While everyone is either off unwrapping presents, drinking eggnog and enjoying some time with their family or figuring out which movie they’ll see followed by chomping down on some Chinese food I figured we’d cut right to the chase and unload a batch of links to get you through the day….

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Hope that everyone has a safe and wonderful holiday – whatever it is you’re celebrating right now. Happy Holidays!!!

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Pullin’ ‘Tubes: Playin’ Reprise – Pt. III

Written by on 12.24.2008 | Grateful Dead, Pullin' Tubes

We are all familiar with the Grateful Dead’s prowess as an electric rock band, but when the boys unplugged they were also quite the formidable roots-Americana act – deftly moving from folk to country to blues. Their acoustic, electric shows from 1970 (with Jerry also logging in a set playing pedal steel with the New Riders) might be my favorite period of the band’s music.

For their 25th anniversary, the band revived the three set format for a string of shows on both coasts at the Warfield in San Francisco and Radio City Music Hall in New York. Highlights from this run appear on both Reckoning and Dead Set. Let’s check out this three song set consisting of On The Road Again, Dire Wolf and Deep Ellum Blues that the band did on The Tomorrow Show back in 1981- to promote those two albums…

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More Acoustic Dead:

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New Wilco DVD: Ashes of American Flags

Written by on 12.24.2008 | Wilco

It’s Christmas Eve and I’m stuck at work with no early exit in sight for your old pal. I needed some cheering up this morning and I got it in the form of a forwarded email from Wilco which HT contributor Luke Sacks kindly sent my way. Tweedy and the boys announced that they are putting the finishing touches on their first live concert DVD titled Ashes of American Flags.

The film was put together by Wilco friends Brendan Canty and Christoph Green at Trixie Films (Sunken Treasure, Burn to Shine, etc.) Filming took place on the band’s February ’08 tour and includes material from Cain’s Ballroom in Tulsa, The Ryman in Nashville and more. Look for Ashes of American Flags on the ‘net and on store shelves in February/March ’09. Keep your eyes on Wilcoworld.net early next year for previews and further information.

The other piece of pertinent information in the email discusses Wilco’s touring plans for 2009:

Post-holidays, the band will head back to the loft to resume work on their next studio album which we suspect will see the light of day in Spring ’09. Again more details, streams, photos etc. coming to the site soon. So hang in there.

Re: touring: Well, there’s not much until Spring. Jeff Tweedy has a handful of solo shows in late January (Kalamazoo, MI; Champaign, IL; Ann Arbor, MI). Ticket information here.   Nels Cline also has a run of shows in January, info here.  And there’ll undoubtedly be other solo-ish events popping up here and there. But Wilco have no shows planned between now and April as they’ll be pretty much hunkered down in the studio. We are in the final phases of working out a handful of gigs in southern US (April) and an extensive tour of Spain (May) followed by, most likely, the usual summer hijinks with a new record and gigs everywhere imaginable.

We can’t wait to hear what the band comes up with for their next disc.

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Bela’s 12 Time Signatures of Christmas

Written by on 12.24.2008 | Bela

Bela Fleck and the Flecktones have scored a genuine hit with Jingle All the Way, a brilliant holiday album that finds the uber-talented quartet interpreting classic Christmas tunes such as Jingle Bells, Silent Night and Have Yourself A Merry Little Christmas with typical Flecktone flair.

The Flecktones’ impressive version of the 12 Days of Christmas takes the cake for best track on the disc. Bela, Jeff Coffin and the Wooten Brothers effortlessly switch key and meter for every round, even throwing in a little improv in between verses.

You need to see these guys play the 12 Days of Christmas to believe it…

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Tour Dates: New Orleans’ Jazz Fest Turns 40

To say that the city of New Orleans has been through a lot in the last few years, would be an understatement. While the Crescent City recovers from the devastation of Hurricane Katrina, the one constant has been its rich music tradition and its flagship event the New Orleans Jazz & Heritage Festival.

The fest once again returns to the city’s Fair Grounds Race Course on the last weekend in April and the first weekend of May to celebrate its 40th anniversary with a diverse and eclectic line up that brings together national touring acts with a plethora of local musicians. Among those set to grace the many stages and tents include Wilco, Kings Of Leon, Galactic, Erykah Badu, Dr. John, Emmylou Harris and just about every Neville you can think of.

If you can’t make it down to the Big Easy for the festivities, then maybe you’ll be able to hit one of these recently announced tours…

Finally, recent tour mates The Hold Steady and Drive-By Truckers, as well as former Trucker Jason Isbell all head out on their own in 2009. Craig Finn & Co. will take their raucous bar band rock on the road in early Spring with the War On Drugs, while the Truckers open up their tour with a three-night run in their hometown of Athens, before heading North to South in the first two months of the year. Meanwhile, Jason Isbell and The 400 Unit have lined up a lengthy three month trek in support of their sophomore release.

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Pullin’ ‘Tubes: Playin’ Reprise – Part II

Written by on 12.23.2008 | Grateful Dead, Pullin' Tubes

Yesterday, we kicked off our Second Quasi-Annual Grateful Dead Week with a clip of the jam pioneers’ tender performance of Peggy-O towards the end of their career in 1994. Today, we’ll go back to the band’s peak during the legendary Europe ’72 tour. On April 17, 1972, the Bozos and the Bolos made their first trip to Denmark for a concert at Tivoli Concert Hall which was filmed for a program commonly referred to as TV From The Tivoli.

Just as yesterday’s clip of Peggy-O demonstrates the beauty and power of Jerry Garcia’s voice, Bob Weir shows off those aspects of his voice on this version of Marty Robbins’ El Paso. The Dead covered El Paso 386 times from 1969 until their final tour together in 1995. Let’s take a gander…

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More El Paso:

  • Marty Robbins – 1978: El Paso
  • Grateful Dead – 6/26/1994: El Paso
  • Grateful Dead – Veneta ’72: El Paso
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Cover Wars: Hey Bulldog Edition

No big surprise last week that our top two candidates were Phish and Neil Young. Over the weekend Phish pulled ahead as the winner of last week’s edition when we looked at covers of The Beatles’ A Day In The Life.

Check your pulse if this video doesn’t make you smile:

This week we look at Hey Bulldog off The Beatles’ 1969 release, Yellow Submarine. Yes, that’s right, we’re doing Beatles’ tunes in back-to-back weeks. Wanna fight about it? Lennon once described this song as a “good sounding record that means nothing.” While this may be true for parts of the verses, I’ve always loved the line, “Some kind of happiness is measured out in miles. What make you think you’re something special when you smile?” I think it’s funny and a little harsh. Also, one of the best basslines ever. For a boat load of fun info check out the song’s entry at The Beatles Bible.

We’ve got a nice mix of artists this round and I’ll say I was surprised at how many versions of this are out there. Once again, I have left off a number of them that I had found.

As always, be sure to register/login to Imeem before starting the playlist below to ensure you stream full-length clips.

READ ON after the jump for the details on this week’s competitors…

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Interview: Will Lee of The Fab Faux

Written by on 12.23.2008 | Interviews, The Fab Faux, Will Lee

On Friday and Saturday at NYC’s Terminal 5, The Beatles’ last three albums will be recreated live with a level of authenticity the legendary quartet couldn’t even dream of when they recorded the White Album, Abbey Road and Let It Be in the late ’60s. America’s quintessential Beatles tribute band, The Fab Faux, have studied these recordings backwards and forwards since the LPs came out and have been working out their brilliant live arrangements of the classic tracks since the NYC-based quintet got together in 1998.

After completing 2008 with this weekend’s “The Final Three” concerts at Terminal 5, the Fab Faux gear up for an action-packed 2009 jammed with performances across the country. The Faux head west in late January for gigs at the Celebrity Theater in Phoenix on the 23rd and the Orpheum Theater in L.A. on the 24th before returning east for shows at the Forum Auditorium in Harrisburg on February 14 and Glenside, PA’s Keswick Theater on March 21. We spoke with Fab Faux/David Letterman House Band bassist Will Lee about the Terminal 5 shows and what the future holds for the Faux. READ ON for the HT interview with Will Lee…

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Free Download: Umphrey’s Holiday Gift 2008

Written by on 12.23.2008 | Downloads, Umphrey's McGee

‘Tis the season for gift giving and the fellas from Umphrey’s have kicked down quite the stocking stuffer. Head to the band’s download portal, Umlive.Net, to download a free holiday EP of never-before-released material spanning holiday shows from the last few years. The Chicago-based sextet and their organization sent this note to fans announcing the gift…

Dear Friends,

The holidays are upon us and after enjoying a good balance of work and play at Holidaze, our preparations continue to ensure we close out the year in style. While the palm trees and white sandy beaches of Chicago in December aren’t quite as nice as those in Jamaica, we couldn’t be more excited to celebrate the end of 2008 with fans, friends and family in our beloved hometown.

As we said in the Umphdate that announced Mantis, we are eternally grateful to have your support, and are humbled by your relentless dedication and energy. Thank you so much for making it possible for us to do what we do. In appreciation, we’ve decided to give away a free holiday EP of never-before-released material spanning holiday shows from the last few years. Please click here for the free download. If you already have a umlive.net account just add the tracks to your shopping cart and download. If you don’t have an account, signing up is free and fast after you add the gift to your cart. Please, please, please tell your friends as we’d like to put this in the hands of everyone, but we would appreciate if you would send them to UMLive.net to sign up and download rather then sending the files yourself through email or by file sharing.

READ ON for the rest of the band’s note to their fans…

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Hidden Flick: Climbing Mt. Kubrick

Written by on 12.23.2008 | Hidden Flick

[Originally Published: 04/28/2008]

Stanley Kubrick knew the secret pearl of storytelling. One doesn’t bring the vague and blurry messages to the audience. A filmmaker, like a musician, painter, poet, and street corner dude on a milk crate, painted silver and doing robotic dance movements, accompanied by a battered boom box, makes the crowd come to their bit of strange art.

No doubt, if ten people were asked to list their five favorite films by the towering American expatriate who lived the bulk of his adult life in England (like another crazed Yank genius, Terry Gilliam), you’d get five completely different lists. And that’s fine. I have my own favorites, but I don’t hold them to my chest like they are minemineMINE.

Hell, if you still don’t get the god-like majesty of 2001: A Space Odyssey or marvel at how well Kubrick fooled the audience in Eyes Wide Shut, because it was, in fact, almost all a dream, and you needed to track the weird, non-linear jumps in the story to notice that the brilliant and underrated Tom Cruise was given the ultimate mind fuck to fuck with his yuppie mind while he watched…well…how to do that fine sexual task properly, then long-ass segues aside, you were missing Kubrick’s point and need to look again.

Secret societies abound, no secret there, and it is no secret that Eyes Wide Shut carried with it a legion of references to Kubrick’s other work and, in fact, the life he led with his wife when they shared a New York apartment before making their permanent home across the pond in the UK. It was his last film and the links with his other cinematic masterpieces span all the way back to this week’s Hidden Flick, The Killing—a 1950s race track heist gone wrong cobbled together by two titans of non-linear storytelling. READ ON for more of this week’s Hidden Flick…

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