Yesterday, Scotty offered up a fantastic B-List of albums hitting shelves this month that he’s looking forward to. I thought I’d continue along those lines today with a mix tape chocked full of music that is also being released in the coming months, as we see the leaves turn colors and our days grow shorter. So sit back and enjoy some Feel Good Hits For The Fall…
We kick things off with the first single off of Ray Lamontagne’s third album Gossip In The Grain. Here’s the emotive singer/songwriter with the soul-infused You Are The Best Thing. Next comes some straight ahead rock from the Kings Of Leon with Sex On Fire. From there we move into the gospel tinged Acid Tongue, the title track from the ever adorable Jenny Lewis’ sophomore effort, that features Chris Robinson, M. Ward and others on backing vocals. Then, we’ve got a couple from two former BtN artists Okkervil River with Singer Songwriter (which might be one of my favorite tunes of the year) and Blitzen Trapper with the rootsy, harmonica laced cut Furr. Finally, we close things out with some indie-piano-pop from Ben Folds with You Don’t Know Me which features vocals from Regina Spektor.
Gram Parsons coined the term “Cosmic American Music” as a way to describe his unique blend of country, Americana and rock. It’s a term that I couldn’t get out of my head when I finally got a chance to see the Fleet Foxes and Blitzen Trapper - two bands that I’ve previous fluffed on this here blog - on Saturday night.
I was absolutely blown away by both acts, who have a very throwback quality to their sounds. The Fleet Foxes easily would have fit into the Laural Canyon scene with their lilting CSNY-esque harmonies, while Blitzen Trapper may have been found up in San Francisco on the psychedelic ballroom circuit. Since I can now vouch for their live show, I wanted to give you a taste…
Their joint tour continues over the next month, so if it’s coming to a city near you go and see it. We bet you won’t be disappointed.
Face it, hipsters: Nothing beats the peak of a red-hot jam. But many of the jambands left on the scene just don’t do it for Some Dude of Hits from the Blog, so he’s here to coach us on which bands we should turn to for greatness…
Let’s face it, folks, the jamband scene is dead and decomposing. The Fat Man isn’t walking through that door; pre-hiatus Big Red isn’t walking through that door. The bands left in the wake of the once-thriving scene of the late ’90s/early aughts have either hit their ceiling, called it quits or are currently cashing in as glorified cover bands. So as we all wait for the next big thing to violently shake up the scene and make it relevant again, it’s time to broaden our horizons.
While some have resorted to labeling bands “post jam” — sorry, I almost threw up in my mouth after typing that — to sugarcoat it, I’m here to tell you there is no such thing (apologies, Mr. Greenhaus). For something to be post-anything it has have been influenced by its predecessor, and I doubt the members of bands like Wilco and My Morning Jacket were slinging veggie burritos and selling homemade blown glass out of a 1987 Chevy Shitbox in the Phish tour lot.
There are, however, exciting bands out there that should appeal to those of us rooted in classic rock and improvised jamming, groups that have opted to jump head-first into the indie-rock pool like the two mentioned above. So without any further posturing, I’d like to introduce you to the musical stylings of Portland’s own Blitzen Trapper. Read on for less lecturing and more music…
