History comes when the mind is awake, and, at this time of the year, it is often difficult to just sit down and think about what has happened, what has almost transpired, and what has not. Often, one gets a fleeting glimpse of what may or may not be true, but it appears more like a dream, rather than some form of historical fact. And, hey, life can appear more active in that sense, anyway. One should be able to breeze through the pages of some spiritual, or cultural, or metaphysical history book, and re-write the pages, insert a new belief, a new idea, a new concept for the future, re-conceiving events to place them into a proper modern context.
Ahhh…such a dangerous game, no?
Which is all a really pompous way to introduce the current modus operandi at hand as we dig into a pair of films for this edition of Hidden Flick, and enter the post-death, maybe even the post-zombie apocalypse version of this little column that somehow could. Perhaps, this is the Undead Season—the one where anything is possible, and nothing, or no one, ever dies. Either that, or we continue to look at old portraits in a new frame—consistently checking to see “did that really happen, or is my third eye, my tricky little mind’s eye, playing games with me/us/it?”
History is a living breathing beast, and, so, we use that pulsating thought to explore two documents released this year, which focus a new light on some rather old subjects, or a fresh perspective on some off-the-radar, hidden thought process. Indeed, this edition will feature the Rolling Stones’ Charlie Is My Darling and Led Zeppelin’s Celebration Day.
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