Veruca Salt Vocalist Louise Post Talks The Journeys Of “Seether”& Finding Her Creative Spark With ‘Sleepwalker’ (INTERVIEW)
New Orleans Musician Lynn Drury Finds Dockside Inspiration For Lively New LP ‘High Tide’ (ALBUM PREMIERE/INTERVIEW)
Hey You: Caitlin Cary Formerly of Whiskeytown Evolves Into Accomplished Multi-Media Artist (INTERVIEW)
Bill Frisell And Longtime Trio (Thomas Morgan & Rudy Royston) Expand Lush Harmonic Palette Via 2-LP ‘Orchestras’ (ALBUM REVIEW)
Bill Janovitz Chronicles the Story of Leon Russell in ‘The Master of Space and Time’s Journey Through Rock & Roll History’ (BOOK REVIEW)
2021 Holiday Movie Preview: ‘Ghostbusters: Afterlife,’ ‘The Power of The Dog,’ ‘House of Gucci’ & More
John Fred Young Of Black Stone Cherry Serves Up Another Round of Candid Hard Rock Insights (INTERVIEW)
Emerging Artist J.S. Ondara Makes Voyage From Kenya to Minnesota & Astounds With ‘Tales of America’ (INTERVIEW)
Cody Dickinson Releases Explosive Cover of Junior Kimbrough Classic ‘All Night Long’ November 28, 2023
Christone “Kingfish” Ingram Surpasses His Already High Bar On Soaring on 2-LP ‘Live in London’ (ALBUM REVIEW) October 8, 2023
Blues Luminaries (Musselwhite, Buddy Guy, Keb Mo, Robert Cray), Front the Count Basie Orchestra on “Basie Swings the Blues’ (ALBUM REVIEW) September 14, 2023
Bill Frisell And Longtime Trio (Thomas Morgan & Rudy Royston) Expand Lush Harmonic Palette Via 2-LP ‘Orchestras’ (ALBUM REVIEW)
Veruca Salt Vocalist Louise Post Talks The Journeys Of “Seether”& Finding Her Creative Spark With ‘Sleepwalker’ (INTERVIEW)
Otis Taylor is not afraid to revisit some of the past
Otis Taylor is not afraid to revisit some of the past
